Miniature Kachina Doll
Hoho Mana, Zuni Kachina Maiden: female; standing upright, feet apart, arms at sides-bent at elbows, hands clenched-facing forward. Black case mask; eyes-white blossoms; ears-red; mouth-white crescent frown; forehead-white crescent moon; nose-for zigzag vertical lines; no neck; black woman's dress w/red & green bands at hem; white maiden's shawl w/ red & black bands at neck and hem; white belt with red stitching which hangs as a sash on left hip; white Hopi boots w/ black buttons up outside of leg-black soles; hands-white corn meal paint w/ zigzag stripes on tops-fingers have white lines on each.
- Object: Miniature Kachina Doll
- Artist: Unknown
- Circa: 1950-1970
- Dimensions: 2-3/4" x 1-3/8" No stand
- Culture Area: Southwest
- Cultural Group: Hopi
- Cultural Context: Made for sale. A Zuni Kachina mana who accompanies the Sio Hemis Kachaina. In July, 1945, she accompanied the Hopi Hemis Kachina in the Niman Kachina Dance at Shungopovi. The Kachina Doll / The Hopi tihu Kachinas are the spirit essence of everything in the real world. They are representations of the Hopi supernatural beings which live on the San Francisco Peaks, near Flagstaff, Arizona, and on other high mountains. A Kachina has three aspects: the supernatural being, as he exists in the minds of the Hopi; the masked impersonator (always a man) of the supernatural being who appears in the Kivas and plazas; and the dolls (tihu) carved in the same likeness. Through a priest, usually an old man, prayers of the people are given to the Kachinas to carry to the gods. Therefore Kachinas play a role similar to the Christian saints. Some are good spirits, some demons or ogres, some are deities and some are even thought to be the spirit of "special people" who have past into the spirit world. Traditionally Kachina dolls were given to the children not as toys, but as objects to be treasured and studied so that young Hopis would become familiar with the appearance of the kachinas as part of their religious training. Prior to a Kachina ceremony, the fathers and uncles of the village children make dolls in the likeness of the Kachinas that will take part in the coming ceremony. The dolls are taken home, where their parents hang them on the walls or from the rafters so they can be constantly seen. In this way Hopi children learn to identify the different Kachinas, they are neither idols to be worshipped or icons to be prayed to, but only objects for use in the education of the child. Post W.W. II when the Hopi took up wage work and moved off the reservation, they began carving "dolls for sale" to supplement their income and as a hobby to occupy their evenings. The Kachina doll soon became and "art object" and the collection of dolls by persons other than the Hopis began. Hopi Kachinas by Barton Wright Hopi Kachina Dolls by Harold S. Colton
- Donor: Dolores Thomasson
- Catalog #: 98.030