Autochrome Transparency
Chubby little white girl, Alice Holt, sitting on Navajo or Hopi rug, playing with kachina, next to a large basket and two ears of corn (one blue, one white). The child is wearing a blue dress, maroon tights and leather shoes. She also has a string of large, colorful wooden beads around her neck. The basket has kachina and raincloud motifs.
- Object: Autochrome Transparency
- Artist: George Holt
- Circa: Early to mid 1920s
- Dimensions: 3 1/4" X 4"
- Culture Area: Southwest
- Cultural Group: Anglo Saxon
- Cultural Context: The autochrome transparencies in the Flegal collection were taken by George Holt, the donor's father. He was a chaplain for the baptist church and travelled all over the world visiting missionaries and subsequently photographing neophytes in various locales. The autochrome process was the first commercially successful color application of photography which enabled photographers like Holt to get high quality color photos of their subjects. However, the burden of carrying numerous unexposed glass plates to remote locations often proved cumbersome, at best. As a sidebar, the historic significance of autochrome is worth noting. As mentioned earlier, autochromes were "the first viable color photographic process." The process was patented in 1907 by Auguste and Louis Lumiere of France. "The autochrome 'screen' was created by forming a layer of minute starch grains dyed in the primary colors (red, blue, green) ..." which was over lain with a layer of lampblack (filling the space between the grains) then a layer of shellack. "So when exposed, the light traversed the glass through the grain and exposed the light/color sensitive emulsion from the back. After exposure (using a view camera on a tripod) the plate was processed to reverse in an acid dichromate-type process."
- Donor: Mrs. Carl Flegal
- Catalog #: 97.085